Paige's work emerges from probing the physical, legal, and psychological systems that keep us separate and explores the everyday engagements that keep us connected.

Her current research/practice scrutinizes “Puritan” intertidal laws and shoreline/ocean access in the United States. Through legal ambiguities and loopholes, she deploys relational activations and access sculptures. The Ocean is both co-collaborator and medium; she uses joy to disarm and facilitate discourse.

The environments and people involved are central to her larger ongoing form; the physical work she creates and documents is both artifact and wheel.


Paige is an artist based in Brooklyn, New York. She frequently travels back to the Pacific Northwest, where she grew up sailing and learned to read and navigate tidal charts by the age of six. Paige has worked as a co-curator and writer for Cyland Media Lab since 2013, working internationally with art and technology organizations. Paige organized project streams and exhibitions with Thoughtworks Arts from 2018 to 2023.

She contributed to Humanizing Robots: A Workshop For Kids at The Boys and Girls Club of NY, volunteered at The Cooper Union for the Advancement of Science and Art’s continuing education programs, and at the Bowery Arts Program: Art For Men In Crisis, through Project Renewal.


Paige studied at Emily Carr University of Art and Design in Vancouver, Canada, and received her MFA in Creative Research from Transart Institute, Liverpool John Moores University in 2024.

www.paige-king.com