Lidiia Griaznova is an artist and designer working at the intersection of publishing, sound, and media art. She engages with sound, archival fragments, and experimental book formats to interrogate dominant constructions of time, space, and the body shaped by capitalist and colonial frameworks.

Her works challenge conventional modes of perceiving image, text, video, and sound — using hand-assembly, fragmented typography, and non-linear sequencing to destabilize linear narrative and disrupt habitual ways of sensing. Her practice explores the intersections of time, embodiment, and perception, drawing on archival material, post-colonial theory, and experimental publishing to create works that are both conceptually rigorous and sensorially charged. She frequently collaborates with artists and writers on projects that dissolve the boundaries between research and artistic production.

Griaznova holds an M.A. in Curatorial Studies from Bard College (US) and works between London (UK) and Yerevan (Armenia). Since 2024, she has co-curated the CYLAND Audio Archive and CYFEST Sound Art program with Sergei Komarov, commissioning and presenting multi-channel sound installations and performances internationally.